1/8/2024 0 Comments Atom heart mother redditThe scene, and indeed all the Rhedosaurus sequences, were created by Ray Harryhausen, working his first solo stop-motion animation job after collaborating with his mentor, Willis O’Brien, on films like Mighty Joe Young (1949). Although the film is far more expansive, it still features a scene in which the Rhedosaurus emerges from the sea to demolish a lighthouse. The Beast from 20,000 Fathoms was partly inspired by Ray Bradbury’s The Foghorn, a short story in which a lonely dinosaur is drawn to a lighthouse foghorn, believing it to be the cry of its own kind. Also Read: Previously, On ‘Insidious’…: Everything You Need To Know Before You Watch ‘Insidious: The Red Door’ Lourie was intrigued by the “Monster” idea, which was little more than an outline at that stage, and offered to direct it as well. They then reached out to art director Eugene Lourie, who had previously done production design for filmmakers such as Jean Renoir. Chester, and Bernie Burton (of Mutual Films of California) added a film to their slate called “The Monster from Beneath the Sea”. In 1952, RKO re-released Kong to phenomenal success, and a trio of independent producers took notice. The Beast from 20,000 Fathoms, like all giant monster films, owes much to the immortal King Kong (1933). For its 70 th anniversary, let’s look back at The Beast from 20,000 Fathoms. It also galvanized the career of stop-motion animator Ray Harryhausen, paving the way for equally influential genre classics. Its visuals have been similarly recycled by generations of filmmakers from Steven Spielberg to Joe Dante. Of its many cultural imprints, The Beast from 20,000 Fathoms consolidated the giant monster image and kicked off a cycle of atomic creature features in the 1950s.
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